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Art

Tyondai Braxton et al – QEH London

Just come out of the Queen Elizabeth Hall at the South Bank Centre, London having heard three world premiers of astonishing quality.

Kaitlyn Aurelia Smith, who was the only one we knew and like a lot, performing one of her works. Qasim Naqvi in the audience for his. And Tyondai Braxton performing his work.

Tyondai Braxton live.

Tyondai Braxton

All three works were astonishing, imaginative and beautiful; enveloping and spacious. So clever. If you get a chance, don’t miss it. Sheer luck that we heard all three only knowing one of them and witnessed such sound.

 

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Art

Ai WeiWei at the RA

The blockbuster that is the artist Ai Wei Wei is in London at the Royal Academy on Piccadilly. The show opened a while ago, but due to Frieze London being on, there was a chance to see it without the crowds one evening, so I took that chance.

I had liked the ceramic sunflower seeds at Tate Modern a few years back so I was interested to see this show.

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Tate Modern Ai WeiWei

Ai Wei Wei’s work is monumental. There are a few small pieces, but I think the scale of each of the pieces in this show is, generally, too big. I am not a monumental art fan. It has connotations I don’t like. Most of these pieces I thought would be better smaller, quieter. Then we could see the art because when work is on the monumental scale it can become documentary, memorial and historical centrepiece.

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A lot of it is quite literal.

The carpet of metal representing maps of China I found lovely, but I am not sure that is the intention, to be lovely, as the work is made from the rods retrieved after the earthquake where 20 schools capsized in 2008 and thousands of children died. The names of the children are on the wall in a long placard of remembrance; lives, potentials erased. But the work is quite brutalist. I thought about the studio workers having to collect the metal and straighten it, and wondered how they felt.

The bicycle chandelier was very literal and rather kitsch. The wall papers I thought were a bit childish. I could not find a lot to love. I found the fact that many temples had been destroyed and he had rescued the wood and reused it good. I liked the first room of wooden structures and some of the cubes, but in the end, monumental as it was, political as it was,  I found the show quite thin.

 

 

 

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Art

Frieze, London 2015.

Frieze is on, Frieze is on!

I love art fairs where you can see so much in one space. But you need energy!

This year, the opening day (Tuesday 13th Oct) seemed lighter and less crowded. And the place seemed nicer somehow. And the displays seemed airy and spacious.

So much great art (and of course some loud, shouty nonsense) so how to sum up?

Well, there really was an Agnes Martin painting there. I couldn’t believe I could see one so close outside a museum. There was also, like me, part of a family in raptures in front of it (and part of the family not getting it). But more remarkably, on another stand were 17 ‘drawings’ of hers- totally fabulous. Apparently, they are ‘reserved’ for a museum. A bargain.

In the main Frieze, Anthony Reynolds Gallery is showing Paul Graham. Some exquisite and poignant moments captured. Still relevant.

Paul Graham

Ana Lupas– who knew? At P420 Gallery. A Romanian artist, these works are from the 1960s. They are remarkable, beautiful, poignant and political.  I am  new fan. She is a performance artist. Wonderful works.

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Ana Lupas

Fernanda Gomes is being shown at Alison Jaques as well as a South American gallery. Very bare; very minimal (very expensive!). Loved it. Wanted some!

Fernanda Gomes

In fact, South American art seems to be way ahead in general. Some lovely works from the 1970s onwards they are finally getting on the art world map. Of course, not all of it is great, but so much is, and so much of the great art in South America is by women. Now there’s a thing.

The Hauser and Wirth stand is superb in the main Frieze tent.

Sarah Lucas at Sadie Coles.

To coincide there have been other events including Jimmie Durham at the Serpentine. Some other openings too; some of very thin work with no truth to it and some that seem to have plagiarised other people’s work. Really bad.

But the main Frieze tent and the Master’s tent have some beautiful works and some wonderful displays.

All of this great art and human enterprise in one place.

Fabulous. Exhausting. Exhilarating. About the best year of Frieze.

If in town, do go see.