Quite a while ago I wrote a blog on whether the Max Mara prize for women artists was still needed in these days of supposed equality. Well, judging by the output of one recipient, Emma Hart, it was money well spent.
Emma Hart used the time to be in Italy and learn some new techniques with clay, a speciality of some Italian regions, with techniques such as Majolica. The results are simply stunning. They are recognisably Emma Hart’s work, but on another level.
The room at the Whitechapel Gallery is in darkness apart from the works. There is a calmness to it, even though the works are full of life.
The works are a series of ‘lightbulbs’ that look like faces and cast shadows like eyes. They have, on many of them, measuring marks making them into measuring jugs. And as you look up and into them a whole world appears, joyful and playful. Some have fans going round by them; shapes of knives and forks and spoons somewhere between domestic and scary.
At the after show dinner Hart gave her speech in Italian. It showed further that she had immersed herself in the experience, which few of us really do when offered such an opportunity. The effect has been to make even bolder work; work that moves from one experience to the experience of a much larger place, pushing back the boundaries. These pieces are museum quality.
The photographs I took do not do them justice. If you can get to the Whitechapel, go see.